The End of Optimism (and Good Riddance!)

That deadline is fine! My schedule is wide open! The only thing on my calendar is my kidney transplant.

Writers may have a reputation for being cantankerous loners with drinking problems, but that characterization is not true at all. In my experience, most of you out there are cheery, charming optimists!

Did I just describe you? How lovely! Now, knock it off. That optimism of yours will ruin your career.

Alright, I’m exaggerating, but I would recommend that you adjust your optimism in one particular area: Stop Overpromising.

An optimist often thinks he or she can do more than what is realistically possible. As a magazine editor, I see this type of person all the time.

“Do you think you can have a draft to me in two weeks?” I ask.

“Absolutely!” the writer tells me. And she seriously believes it, too.

But in that moment of certainty, Ms. Optimist forgot to consider (or mention) that she has a sick, aging mother who needs tending; two children at home for summer vacation; another writing assignment she hasn’t exactly started yet; and a full time job that requires her to, you know, work full time.

We can all guess how this story ends. Two weeks come and go and my grubby little hands are empty. In fact, Ms. Optimist hasn’t even started the assignment. Now she’s filled with anxiety, guilt, and self-loathing – which is awful. Then she calls me up and grovels for an extension – which I find awful.

She apologizes upwards and downwards and sideways. Then she goes on about her personal problems – the sick mother, the two kids underfoot, and the other freelance job (that she also hasn’t finished) – begging me to take into consideration the very same things she failed to take into consideration when we agreed upon the deadline two weeks ago. It is not her finest moment.

See what optimism will get you?

So! May I humbly suggest a dash of pessimism?

Allow me to explain: I’m reasonably good at managing my time, so when I think a writing job will take me two weeks to complete, it often does. But, hey, it doesn’t always. Things happen. Who knows what’s waiting for me around the next corner? So when I think a job will take me two weeks, I ask the editor for three (or even four if I can get away with it). I might hear a little sigh of disappointment when I ask for the extra time, but I know that disappointment will later be replaced with delight when I submit my story ahead of deadline.

Full disclosure: I have never been hired by a sea turtle – but if I had, he’d be as happy as this.

Better yet, when my story comes in early, it looks as if I made an extra special effort to make the editor’s life easier. My reputation as Mr. Reliable is duly earned and I play well with others!

It’s easy to look good when you keep your promises under control.

Disney theme parks are especially good at practicing the art of underpromising. When you’re on line for a ride, you will see signs letting you know how much longer you’ll need to wait. Disney World’s wonderful little secret, however, is that when you reach the “30-Minute Wait” sign, you’ll never have to wait 30 minutes. You’ll be on Dumbo’s back in fewer than 15 – and you’ll be happy as a clam because the wait wasn’t nearly as long as you had expected. There’s a reason why Disney World is called “The Happiest Place On Earth.”

Not Disney World.

Now, imagine how happy Disney World would be if the sign said “30 Minute Wait” but you had to wait an hour. You would be livid. The editor whose deadline you missed might be similarly so.

Now I’m gonna tell you my little secret: As a magazine editor, missed deadlines don’t trouble me very much. Some people who don’t know me very well think it’s because I’m an easygoing fella, but, trust me, that’s not the reason. I’m untroubled because I’m a pessimist.

In other words, when I asked that cheery, charming, optimistic writer to get me a story in two weeks, I knew I wasn’t going to need if for another four.

The Line King

Hey, I got an idea! Let’s watch something lousy!

One time while babysitting my sister’s three kids, I got talked into watching The Lion King 1½. I’m not sure how those little buggers pulled this negotiation off, but they did and I wasn’t happy about it.

“Hooray,” I thought as they led me to the couch. “A cheap-Disney-direct-to-DVD-sequel-cash-in. I just bet it will be super-awesome. What fun we shall have!”

But I stifled my kneejerk grumpiness and settled in. I reminded myself that the movie is for children, not for me. It was time to be a Good Uncle. So I sat and carefully watched the film, knowing all too well that the kids would quiz me later.

And I was right. They did quiz me – just not in the way I expected.

In one early scene, Timon the meerkat (voiced by Nathan Lane) tells his dad (voiced by Jerry Stiller) that he is leaving the meerkat colony. In response, Jerry Stiller – in that wonderful Jerry Stiller-like way – got emotional. He ranted, he raved, he howled to the heavens. In a flash, my mind leapt to all of Stiller’s great scenes as George’s dad on Seinfeld.

The cartoon wasn’t entertaining me, exactly, but I was pleased that it had triggered an entertaining memory.

Anyway, Stiller the meerkat did his yelling thing for quite a while. Timon listened. Then, when the dad finally stopped yelling and trailed off, Timon, heaving a heavy sigh, muttered, “Way to play to the cheap seats.”

I haven’t done it justice, but believe me, it was a great line. The timing was perfect. Lane’s delivery was perfect. The heavy-lidded look of disgust on Timon’s face was perfect. (Also, I was primed for a good joke as I was still reminiscing about Stiller’s antics on Seinfeld.)

In short, the quip caught me flatfooted. It killed me. I wheezed. I snorted. My “ha-ha ha-ing” rat-a-tat-tatted like a tommy gun. My laughter was even accompanied by the occasional, “Woo!”

I was quite a sight.

After I finally composed myself, I looked up to see all three of my charges staring at me with furrowed eyebrows.

“What is so funny?” Lauren, the middle child, asked. She was irritated by my amusement.

It was then that I realized that The Walt Disney Corporation had thrown an old guy a bone. It was almost as if, in that little, funny moment, the filmmakers spoke to me personally. “Listen,” they told me. “We know this movie isn’t nearly as good as The Lion King. We know you know that we’re phoning it in because this movie is direct-to-DVD and geared to babysit your kids. We also know that very few kids can tell a good cartoon from a bad one. Remember when you were a kid and Hong Kong Phooey was your favorite cartoon show? Have you seen a Hong Kong Phooey lately? See what we mean?”

I don’t know what I was thinking.

Then the filmmakers got to the heart of the matter: “That being said, we also understand that sometimes you’ll be forced to sit here against your will and watch this stuff. We do feel your pain. So here’s a joke just for you. Enjoy!”

I did, and I was grateful.

At the kids’ urging, I paused the video to explain the joke. I explained how the cheap seats for a play are far from the stage. I explained how an actor needed to unnaturally emote to get his point across to those folks way back there.

On it went. My remarks led to more questions, which I answered as best I could.

It turned out to be a very lovely chat.

Now I was doubly grateful: first, for the good joke, and second, for the thoughtful conversation the good joke spawned. I had also learned a lesson; I will never again so quickly pooh-pooh another cheap-Disney-direct-to-DVD-sequel-cash-in.

Hold on. Disney made a movie called Cinderella II?

Oh, I am going to murder someone.

Now let me open up the comments section by posing this question: What is your favorite “grownup” reference in a children’s movie?