Creativity and the Commuter

The only way to travel.
The only way to travel.

Last Friday I rear-ended a truck while driving to work. I wasn’t going fast or being careless, the roads were just terrible. Long sheets of ice, really. All I could do was skid and brace myself for the collision.

After the impact, we pulled over to assess the damage.

“Wow!” Truck Guy exclaimed, looking at the nose of my car, which sported a grille cracked in several places and a flapping bumper. “I didn’t think that little hit would do so much damage!”

“It didn’t,” I replied. “I did that five minutes ago when I hit a telephone pole.”

Truck Guy laughed appreciatively.

Then there was a pause.

“Wait. You serious?”

I was.

My average speed for the rest of my journey was, I think, 3 mph – because when I hit that pole at 12 mph, and then the truck at 7 mph, I was being just too dang reckless.

As I puttered along, cursing my luck all the way, I reflected on the commute I had 20 years ago. I worked in New York City. It was a much longer haul than the one I have now (two plus hours, as opposed to an-hour-and-a-half) but it was by train. And, like the road less traveled, that had made all the difference.

A train is a perfect place for reading, so I delved into books that I probably should’ve read in high school.

I read about Trees Growing in Brooklyn and fell madly in love with the bookish, myopic Francie.

I read 1984, fruitlessly hoping that Orwell put a happy ending in there somewhere.

I read Kafka who, by comparison, made Orwell look like Dale Carnegie.

I wondered why Victor Frankenstein lacked the parental love so very evident in his comedic alter ego, Victor Frahnkensteen.

A good parent. Pay attention, Mary Shelly!
Pay attention, Mary Shelly. Your Victor should’ve been like this guy.

I fantasized about being the travel companion of Mark Twain, or better still, John Steinbeck.

And I read Nectar in a Sieve, a book that should’ve been titled Just One Damn Thing After Another.

It was a great way to get to work.

But that was only the New Jersey Transit part of my journey. I stopped reading once I got to Hoboken. After I hopped onto the PATH Train, which scooted me under the Hudson River and up to 33rd Street, I switched from reading to writing.

Back then my passion was theatre, and the PATH, with its herky-jerky motions, frequent stops, and Subway-ish vibe, seemed to be a fine place to come up with authentic dialogue.

From 33rd Street, I walked the 10 blocks to my office, where I could reflect on what I had written and/or read.

At the time I was a graphic designer. I hated the job. A lot. I was lousy at it, too. That decadent commute, however, made it all sort of OK. No matter how badly my day went, I knew it would end with me writing on the PATH and reading on the train.

Now the situation is reversed. I have a job I enjoy very much – one that allows me to stretch myself intellectually and creatively – but my day is book-ended by a hellish commute. To get to work I drive on both the Garden State Parkway and the New Jersey Turnpike. And then I motor down the side streets of hick towns – places where salt truck drivers are not considered Essential Personnel.

By the time I come home, I am exhausted and crabby and uneager to write and read. “I wrote and read during my entire workday,” I tell myself.Isn’t that enough?”

At this point I would love to write: “Well, no, it is NOT enough! Despite how tired and crabby I am, I continue to write and read! I am a writer and a reader! Writers and readers must always write and read!”

But I can’t, because, well, sometimes after getting home from work, I choose to sit on my butt and reach for a second glass of wine. One such day was Fender Bender Friday.

I think that’s OK.

My point is, don’t beat yourself up if you decide to get out that corkscrew once in a while. Your mind is not always going to be in the right place. Your schedule is not always going to be kind. We can’t all spend several hours a day on trains. If you truly love writing, you will find and make the time to write. The time might not be every single day, but the time will reveal itself.

As for me, I soon made up for my lazy Friday. I got in a whole lot of writing time the other day. I worked for hours and hours without a break. I was sitting in a molded plastic chair waiting for the nice man to replace my bumper.

How I Earn a Living

Many moons ago I wrote a post explaining that it is possible to earn a comfortable living as a writer.

The post generated a lot of comments, which makes me happy. I like comments. The post also generated a number of personal emails, which makes me, I think, even happier.

Most of these emails asked me the same thing:

HOW can you earn a comfortable living as a writer?

Ah, right, I did overlook that.

For me, it was always about balancing salaried writing with personal writing. When I decided to do this for a living, I sought out any writing job I could find that would provide a salary and benefits. What I found was a weekly newspaper gig, which paid terribly but offered up a regular byline and a wealth of experience. Weeklies are still a great place for any unpublished writer and, since the hours are sort of flexible, I found time to write and send out plays, which earned me a few (very few, but, hey, a few is still a few) bucks on the side.

Newspaper writing, I learned, gives you just enough credibility to get better paying work. I went from working on a newspaper to a private school’s Communications Office, writing web stories and press releases and editing the alumni magazine. This Communications Office job led to a better Communications Office job where the web stories and press release stuff was left to other people. I just do the magazines now and I always look for ways to make the articles fun.

But the real fun — the reason why I got into this profession in the first place — was to write my stuff. I find time to do that, too.

If my stuff makes money, great. But if , for example, I receive 114 children’s book rejections or watch one of my plays fail in a very, very public way, my salaried writing income cushions the blow. Sure, I might not be writing exactly what I want to be writing about, but I’m still writing and still earning.

Your Writing Career story will almost certainly be different from mine because there are many paths to earning a living as a writer. But the key, as I mentioned in my old post, is doggedness.

Be patient. Be determined. Be focused. Be resourceful. If you really want this, then promise me that you’ll never, ever, give up, OK?

I’m rooting for you.

I’m a Guest!

Lumiere

Thanks to the lovely and talented Tara Lazar, I am a PiBoIdMo guest blogger!

For those not in the know, PiBoIdMo stands for Picture Book Idea Month, and it’s kind of a big deal. To say that I am honored would be a gross understament.

So head on over to Tara’s place and read what I gotta say, OK? I’ll be your best friend!